thepainted_lady: (You need to listen)
[ooc: Samuel is [livejournal.com profile] offering_hope and used with love and permission]

The sun was hot, beating down on on her skin as Lydia stood outside the clinic on the dusty street in the little town. Her stomach had calmed down for the most part, but nerves were threatening to make it rebel again. The last year had brought so much change, the world that she'd known, which had gone along so smoothly for fourteen years tilted all askew again, and she knew that it could tilt again on a whole new axis in a heartbeat. For all she wanted it, craved it, even, it was near terrifying to think, and for a moment she wished she'd asked someone--anyone--to come with her. But she didn't want to get Samuel's hopes up, and Edgar wasn't here, and the others...she just didn't know who to ask. Besides, if she was wrong, if this was just some lingering bug she wasn't shaking, then how embarrassing that would wind up being. It would have involved admitting what was just a secret hope still, a quiet dream between her and Samuel, and she wasn't ready to have that exposed if she was getting ahead of herself. With a soft sigh, she swallowed back her fear, and reached for the door, stepping into the air conditioned, sterile smelling room, and tried to make her stomach relax as memories come flooding back.

* * *

He didn't come with her to the clinic for her first ultrasound, saying he needed to work, to get them money if she was going to keep "it." The words stung, and she could barely breathe with fear while she waited, but when she watched the tiny heartbeat on the monitor, her fear slipped away, replaced by something so pure she didn't think that "love" was the right word for it, because it didn't encompass enough. Rushing back to the motel they were shacked up at, she kept the picture clutched tight to her chest, eyes lighting up as she came inside, sure that as soon as Danny saw it, he'd feel what she felt, see what she saw. But he didn't even look at the image, just tossing it aside as he pushed her down on the bed, lips and hands hungry and heedless of the sore and sensitive places her changing body had developed. She tried to deceive herself that it was out of love, excitement about being a father, starting a family with her, but every touch told her the truth, and after he fell asleep she moved to pick up the image, cradling it close to her, and promising the growing life inside of her that she'd find them both a better place.

* * * )
thepainted_lady: ([Amanda] Listen to me)
I dreamed a dream in time gone by
When hope was high and life worth living
I dreamed that love would never die
I dreamed that God would be forgiving

Then I was young and unafraid
And dreams were made and used and wasted
There was no ransom to be paid
No song unsung, no wine untasted


Dearest Amanda,

His name was Danny. )

But the tigers come at night
With their voices soft as thunder
As they tear your hope apart
As they turn your dreams to shame


I ran home )

And still I dream she'll come to me
That we will live the years together
But there are dreams that cannot be
And there are storms we cannot weather


I found a new home.  )

I had a dream my life would be
So different from the hell I'm living
So different now from what it seemed
Now life has killed the dream I dreamed
thepainted_lady: (Deep in thought)
It seemed far too easy, far too fast, but she'd never had an iron problem, and the stomach flu wouldn't have gone on this long, so Lydia started counting down each queasy morning toward the week that would confirm the suspicion she was too afraid of jinxing to say aloud.
thepainted_lady: (The things you've gone and told me)
[Mohinder is [livejournal.com profile] capableof_both and mine to use for purposes of this fic/verse. Samuel is [livejournal.com profile] offering_hope, Sylar is [livejournal.com profile] heroslayer and both are mentioned with permission. Edgar is not aimed at any particular muse, 'cause we don't have an Edgar in 'verse. :-D]

He was watching her again. He did that a lot, those dark eyes burning across the arid ground, boring into bared, painted skin like he could peel it back with a look and expose even more of her. What was he looking for, she wondered. Some proof of her perfidy, no doubt. That he didn't trust Samuel and trusted her even less she didn't need her ability to know, though neither of them had given him any reason for such virulent mistrust. Hadn't she vacated Sylar's bed and left it to him with nary an argument? Hadn't Samuel offered him a place, a home, a family, when he'd been lost and wandering, rejected for the things he'd done by even those who once claimed to be his closest friends? He'd killed. He'd tortured. He'd maimed. She knew what he was, what blackened his soul as surely as it soaked through others' here, and yet, there he sat in his bright linen, peeling an apple, watching her as if she were something less than him.

Why? What had she done to him, ever? Shared the bed of the man he loved? He couldn't say he'd not bedded anyone else but Sylar. She'd told Sylar no lies, done nothing but give him comfort when he was lost, something and someone to cling to, a haven from the storm. Was it because she belonged to someone else? Samuel knew where she was, what she'd done, had sent her to do it, even, to make the former killer at home. It hadn't been a hardship. Was that the good doctor's problem? Not that she'd gone to Sylar's bed, but that she'd done it at Samuel's direction, for purposes other than lust or love? Well, other than love. Even without his memory, Sylar remembered what to do in the bedroom, and she hadn't needed to pretend much of anything, though that was a secret she'd keep close to herself. Samuel's jealousy was the last thing they needed added to the mix.

An itching sensation crawled along her skin and she finally threw down the trowel from the ditch she'd been digging. Another pair of dark eyes snapped up, catching the movement, and then another, and another, and she knew full well that three others watched her progress across the stretch of ground that separated her from the Indian. She didn't stop, even so, not until she was enough into his space that Mohinder was forced to straighten to meet her, something vaguely like alarm in his eyes.

'What is your problem?' she asked, voice low, but hard. )
thepainted_lady: ([Samuel] Not your whore)
Whatever she thought she'd felt inside him for her, for them, she knew now she must have imagined because no one who truly loved her could so callously send her against her objections to whore herself for his convenience.
thepainted_lady: (You need to listen)
[ooc: Noah Bennet is [livejournal.com profile] im_exhibita and is used with permission.]

Don't know much about your life.
Don't know much about your world, but
Don't want to be alone tonight,
On this planet they call earth.

You don't know about my past, and
I don't have a future figured out.
And maybe this is going too fast.
And maybe it's not meant to last


Lydia wasn't sure what to make of the world she'd found herself in. The outside world had changed so much since she'd joined the carnival. With Samuel gone, she could go back, she knew. It was a possibility, at least. They were her family, and had been for near as long as her biological one, and she couldn't go back to that one. Carol had made that very clear in their last conversation. But back there, among them, around every corner, in each tent, in the smell of greasepaint and ink, lingered the ghost of the man who'd ruined everything, including her.

He'd thought she was going to take them from him, but with him gone, she couldn't find the heart in her to lead the family forward into this world. She took Noah Bennet's invitation instead, looking instinctively toward a new protector in an uncertain world, and as the days stretched into weeks, still she stayed, finding comfort in the steady presence of the man who'd mere name had once terrified her far more than a serial killer's could.

He was a mystery, and one she wanted to solve, though he shied a little from her touches, years of training and paranoia not leaving him very open to the brush of her hand and the intrusion of her gift. So, she tried to figure him out the conventional way, with questions over cereal, and deeper conversations as the nights grew longer, curled up on his sofa, her bare feet tucked under her skirts to fend off the cold of the New York winter, and still he eluded her with half answers and careful evasions.

She figured she couldn't be upset. When he turned the tables, she played the same game, skimming over the shadows of her past with half-truths and blatant lies, crafting a childhood out of figments of imagination and stories culled from others around campfires that once lit the night in a place she'd called home. But it annoyed her, all the same, as her curiosity became an ache to know him, to crack that unflappable facade and peer beneath.

I just want to start again,
Maybe you could show me how to try,
Maybe you could take me in,
Somewhere underneath your skin?

And I had my heart beaten down,
But I always come back for more, yeah.
There's nothing like love to pull you up,
When you're lying down on the floor there.


When she settled on his lap, she thought he'd rebuff her, push her aside however gently. He considered it, she knew, felt the urge rise up in him to compete with the other, more primal one. The woman he'd brought with him to the carnival had faded from his life, though, and it had been as long for him as it was her. In the meeting of their lips, the brush of tongues, she found some of her answers, and for a few moments she indulged her curiosity without shame, learning him as he surrendered, as men eventually all did, and let his hands learn her.

Somewhere between the sofa and the bed, though, questions about his past, his motives, his heart, his mind, faded away. It seemed she'd been cold for months, caught in the web of a betrayal, pierced by a kiss that had been nothing like what she craved, but killed more in her than any bullet could have. Noah's touches found those frozen places, and Lydia shivered, near pain slipping through her as his emotions slid into her as thoroughly as his body did, and forced her to feel her own, reawakening more than just desire.

She cried in his arms, after, the first tears she'd let herself shed since that day, and when the tears ran out, he was still there, still holding her, and she remembered what it meant to have hope.

What do you say to taking chances,
What do you say to jumping off the edge?
Never knowing if there's solid ground below
Or hand to hold, or hell to pay,
What do you say,
What do you say?
thepainted_lady: (Dreaming of something better)
Death )

Mile )

Paper )

Wine )

Teeth )

Electricity )

Ink )

Sex )

Heaven )

Kitten )

[ooc note: The more canonical drabbles don't refer to any specific Samuel, Edgar or Sylar. Where [livejournal.com profile] hearts_andminds RP/plot or other 'verse seems indicated, Samuel here is [livejournal.com profile] offering_hope and Edgar is [livejournal.com profile] right_handman.]
thepainted_lady: ([Sylar] Visions of me and you)
Lydia didn't deceive herself that Sylar loved her in the way little girls dreamed of being loved one day, but she wasn't a little girl anymore, and what he offered was more than the shattered fantasies they both had left behind, and she promised herself she'd make sure he never regretted choosing her.
thepainted_lady: ([Samuel] Cut your heart out with a spoon)
He'd betrayed everything she held dear, tried to have her killed, tossed her love and loyalty aside like they were nothing, and despite all of that, Lydia was forced to acknowledge that some part of her still longed for him, his touch, his smile, his approval, and, pathetic as it was and furious as it made her, she didn't think that part was ever going to go away.
thepainted_lady: ([Samuel] Things you should know)
[ooc: AU 'verse based on spin-off from Heroes graphic novels "Bloodlines, part 1 & 2" - Joseph not aimed at any particular journal. Samuel is [livejournal.com profile] offering_hope].

Eastern Europe, Christmas, 2008

Lydia stood in the shadows of the trailer, stunned. She couldn't have heard Joseph right, couldn't have. Surely she must have been distracted by the horror of what he described to Arnold, about Coyote Sands, and misheard what he asked the time traveler to do, yes? And if she hadn't been? If she had heard him correctly? Something inside her heart seemed to constrict tightly, a fluttering, aching feeling that made it hard to breathe. There was nothing she could do. Arnold was already gone, and if he did what Joseph had asked...her whole world would change.

But Christmas morning dawned and the world was still the same. Lydia watched Joseph with speculative eyes, watched his darting looks at Samuel, the worry around his eyes, and she finally dared ask where Arnold was, a picture of innocence. Joseph didn't answer, not really, just saying something about work the time traveler had to do, but later he came with Samuel to her trailer asking them to use their new found ability to work together and find Arnold.

Samuel's fingers were warm on her skin, the pierce of the needle quickly familiar, and she reached out for the lost family member a little desperately, even as she tried to hold on to the presence of the man next to her.

"Arnold's not missing in the past," Lydia said, looking back over her shoulder at Joseph. "He's right here, in the present day."

Even as old as he was, even with the tumor, it was possible Arnold could still travel, she thought, once they had him back home. Joseph's words rang in her ears, praising her and swearing her to secrecy about Emile Danko. Or, well, not secrecy, but just asking her not to tell Samuel. He wasn't going to send Arnold back again. He apparently wasn't that cruel to someone so frail--just to family. His intentions came through loud and clear as his hands curled around her hands.

Couldn't he see that fate had been on Samuel's side? That something greater than he was had stepped in to stop him murderous intent? He'd sent Arnold back to murder a baby in his crib. Her mind flashed to Amanda, to her lost baby, the one she ached for every day, so helpless against the world, and the thought of her idol doing something like that, and to someone she...her heart twisted.

This Danko person had killed Arnold's son. She'd just told Joseph that, and again he was planning to put his own blood in the line of fire.

For a while she sat in her trailer, robe wrapped tight around her, torn between loyalty to the man who had saved her and the growing feelings that had taken root so many years before and blossomed more each year. Her idol's feet were made of clay, apparently, and that hurt. And Samuel...had done nothing to deserve such a fate.

Mind made up, the bitter feeling of betrayal burning inside of her, she made her way across the space that separated her trailer from Samuel's and knocked lightly. He had the right to know what Joseph was planning, and to protect himself, and she'd do whatever it took to help him.
thepainted_lady: (Always a little apart)
I have a tale to tell
Sometimes it gets so hard to hide it well

~ Madonna, "Live to Tell"


"Oh, Lydia. What secrets have you been keeping?"

Her past is not something Lydia talks about, not to anyone. Samuel's voice echoes back to her sometimes, the taunting question asking one thing, but brushing against so many others, thoughts, memories, bits of her she keeps tucked out of sight in the shadows. The shadows, after all, are where she figures they belong. Pull something out into the light, and the exposition becomes something you cannot escape. Labels get attached, things start to define you, people look at you differently once they know your secrets. She tells herself she cast off those labels and definitions when she dropped his last name, keeping that small piece of herself even away. A name is a trail, after all, a link tying her back to what came before. She threw it aside when she came here, violently and with extreme prejudice, taking on a new persona. Lydia, the Tattoo Girl. Lydia, the Painted Lady. Lydia, the Exotic Temptress.

Warning: potentially triggery though nothing graphic )
thepainted_lady: (Wistful)
1. "Most people have seen worse things in private than they pretend to be shocked at in public." ~ Edgar Watson Howe

2. "Be courteous to all, but intimate with few; and let those few be well tried before you give them your confidence." ~ George Washington

3. "You may be deceived if you trust too much, but you will live in torment if you do not trust enough." ~ Frank Crane

4. "If we can connect in some tiny way with a human that doesn't agree with us, then maybe we won't blow up the planet." ~ Nancy White

5. "Love is the triumph of imagination over intelligence." ~ H. L. Mencken

6. "Some prices are just too high, no matter how much you may want the prize. The one thing you can't trade for your heart's desire is your heart." ~ Lois McMaster Bujold

7. "It is the loving, not the loved, woman who feels lovable." ~ Jessamyn West

8. "A good home must be made, not bought." ~ Joyce Maynard

9. "Sometimes it is the quiet observer who see the most." ~ Kathryn L. Nelson,

10. "Forgiveness is one of the many horrible side effects of loving someone." ~ Randy K. Milholland
thepainted_lady: ([Samuel] Not your whore)
She wants to be strong, proud, to set an example her daughter can be proud of, but he quells each rebellion with a touch or a word, and once again she finds herself falling back in line whether she wills it or no.
thepainted_lady: ([Samuel] My body is your canvas)
So many of her tattoos move on their own, not etched into her skin so much as blossoming out of her ability, but the ones she creates for him come with the brush of fingertips, the press of a needle, the flow of his power and ink, and a ripple of pleasure and connection unlike anything she's ever known.
thepainted_lady: ([Edgar] Trust you with my life)
Let me be your shelter
Let me be your light
You're safe, No one will find you
Your fears are far behind you...
All I want is freedom,
A world with no more night
And you, always beside me,
To hold me and to hide me...
Then say you'll share with me
One love, one lifetime
Let me lead you from your solitude
Say you need me with you here, beside you...
Anywhere you go, let me go too
That's all I ask of you...


She saves the voicemail message, even though it might not be the wisest idea. Samuel knows of the phone, now, knows she has it--he could come looking, searching at any time, to see if she's keeping any more secrets from him. But she keeps it just the same, as if in defiance of the danger, however small a defiance it might be. It's something she can play in the night, in her trailer, when she's scared of what's to come, scared for Amanda, scared for all of them.

It gives her hope, even more than the text message exhorting her to keep on fighting. She's never been much of a fighter, doesn't know how to stand up to Samuel, truly, without bringing down his wrath. How can she hope to sway him from his course, when he's so determined and in possession of such power? He seems to grow stronger every day, and more bent on a path that leads to ruin, for all of them. Part of her knows she should just leave. Pack Amanda up and go--anywhere. They could go back to Carol, surely, if only for a little while. Amanda wouldn't go alone, but maybe, if Lydia promised to go with her, maybe then she would go.

And Carol would take them in.  She'd have to.  If Lydia had to tell her about what they both were, so be it...but then what?  How would she support them?  How would she survive out there?  If she leaves Amanda again, she has no doubt she'll find her way back here, back to Samuel's influence.  There's no assurance, even, he wouldn't come after them, should they go.  Joseph never held anyone to the family if they wished to leave, but Samuel...Samuel needs them in ways she cannot understand. He's unreasonable about it, about building the family, growing it, "helping" all those lost out there, but they aren't all lost, not really, and underneath his words something rings false. He isn't outright lying, she doesn't think, but he's driven more by power than altruism, and he won't listen to her, not anymore.

She curls up at night, and she tries to think of a way out, and she knows she can't do it alone.  Moreover, she figures out, finally, listening to the message for the upteenth time, hearing the echo of his voice and the way it calms her, even from so far away--she doesn't want to do it alone. She misses him with an ache she can't deny, like part of herself has been torn away. She has her daughter, the person she channeled all of her longing into, but that hole she's lived with for so long is still there. Amanda's here, but Edgar is gone, and that's wrong, somehow, above and beyond everything that Samuel has done or is planning.  It's wrong not to see his face, wrong not to hear his voice in the morning, wrong not to have his strength to lean on.

The laugh in her throat turns almost to a sob, because she realizes she misses what she never had almost as much as what she did, and so she plays the message again, and she tries to draw strength and hope from it, for gaining back what was lost and something so much more besides.

"Lydia, it's me. I don't know when; I don't know how. But I'll come back for both of you. I promise."*

Edgar has always kept his promises to her, and she softly promises herself that when he fulfills this one, she'll make a few of her own, and neither of them will ever have to be alone again.

[*Quote from "Slow Burn" - Part 10/ Edgar is [livejournal.com profile] right_handman ]
thepainted_lady: ([Sylar] Tell me what you want)
[ooc: The use of Sylar isn't aimed at any particular muse. Just playing around with canon interpretation a bit. If anyone would be interested in playing off of it, please let me know. :-)]

The first time she speaks to Sylar, she knows what Samuel wants of her. He doesn't have to say anything blatant, nor does he demand she cross any lines she isn't comfortable with. Be nice. Make him feel welcome, like he could be part of the family.

In truth, it's nothing he needs to ask--she'd do that for any lost soul who found a way to them. It's part of her gift to be able to connect with other people, to know what to say to make them feel safe. She can't be offended at Samuel wanting that from her, and Sylar doesn't make it difficult to do her job. Even as confused and lost as he is, he's charming, and he's kind to her, and the smiles she gives him don't have to be faked. He makes her laugh, and the more comfortable he becomes, the more she wants to see if she can return the favor, coax a smile, ease the confusion behind his eyes. Edgar's jealousy takes her aback, the juggler seeing something there she hadn't intended, but once her attention is drawn to it, she can't deny the faint pulse of awareness that moves between them. Not what her friend intended, no, and it hurts her to see him upset, but Sylar...did nothing wrong, in her mind. Edgar had no right to go acting as if she were some possession of his to start a fight over. When Sylar stands after dinner, a member of their family, she slides into his arms without reservation, her own desire fueling each movement far more than any edict from Samuel could.

It's been too long since she's let herself really connect with anyone more deeply than a random encounter, but she gives as much as she takes that night, and if she's smiling the next morning, she doesn't think anyone can blame her. A girl deserves to have a little fun in between all the work, sometimes. If it hurts a little when he disappears without a word, she keeps that to herself.

It's different when he comes back. Things have deteriorated; the center is not holding. Her family is falling apart around her: Samuel has lost his way completely; she's been to the past, seen Joseph's death; Amanda is in danger, but won't listen and leave; Edgar has been banished. And Sylar arrives ready to kill them all. Samuel's casual assumption that she'll just take him to her bed again hurts more than it should for reasons she doesn't want to admit, and she's afraid of him, afraid for Amanda, resentful at being ordered to be a whore. Before was her choice, when she still believed in the message she was bringing. Now...

But when she touches him, when his lips meet hers, the flare of feeling is still the same. Under the anger, the resentment, the fear, the desperate need to find them all a savior is a woman's want. He's new to her power. He doesn't see that far. They trade their lies, both of them lost--his fear wraps around hers, but there's too much at stake to truly comfort him, not this time. And if she fixes him...finds his ability to kill again...what then of those she loves? It all gets tangled and frustration fuels her words, and then it's over and he's gone, and she can't take back anything she said.

She wonders if he knows she didn't mean the last, wonders if he heard the lie, wonders if he ever wanted her the way she wanted him, wonders if he could have been the one to save them all if only she'd played her hand a little better, wonders what might have been, then.

She keeps on wondering over the wanting, but the answers never come.
thepainted_lady: ([Samuel] You need to listen...)
It was such a simple thing, but without her sweater in the chill of the morning in Samuel's trailer, Lydia slid into one of his shirts instead of back into hers and wrapped her arms around herself to press it close to her skin, breathe in the earthy scent of him that lingered on it, and smile as she remembered the night before.
thepainted_lady: (Painted lady)
This one seems appropriate...

The ones that don't change:

1. Flowers and vines on my abdomen.
2. A butterfly on my left arm.
3. Flowers and vines on my back.
4. A swallow on my right forearm.
5. A matching swallow on my left forearm.
6. A scarab on the right side of my neck.
7. Flowers and vines on the left side of my neck.
8. A star on my right arm.
9. A mermaid on my right arm.
10. More flowers and vines wrapping around my shoulders.

The ones that have appeared and gone:

1. Amanda
2. Peter Petrelli
3. Emile Danko
4. Sylar
5. Hiro Nakamura
6. Charlie Andrews
7. Noah Bennet
8. Claire Bennet
9. Arnold
10. A marionette.
thepainted_lady: (Default)
1. I ran away from home when I was a teenager.
2. I have a daughter who is 14.
3. I have an older sister who adopted and raised my daughter.
4. I literally ran away and joined a carnival.
5. I was the target girl for a knife throwing act for a while.
6. One of my carnival names is "The Painted Lady"
7. Another is "The Exotic Temptress."
8. I have rotten taste in men. I know this. It doesn't stop me from always falling for the wrong guy.
9. I have a perfectly nice guy who worships the ground I walk on that I can't seem to let in.
10. I would do anything to protect my family.
thepainted_lady: ([Samuel] Dead in your arms)
Tonight the sunset means so much
The one thing that you know you'll never touch
Like the feeling, the real thing
I reach out for that sweet dream

But somehow the darkness wakes me up
I've felt this emptiness before
But all the times that I've been broken
I still run right back for more


When it started, Lydia couldn't say. More than a decade of protecting her heart, of keeping out even those she knew meant her no harm, and one day she looked up and realized it wasn't hers anymore. Whether she'd lost it in between the brush of fingers and the press of a needle, or the flow of ink and a connection formed to the person controlling it, or in some twisted up feeling that he was safe, because he was the only one who seemed to look at her and not want her, she didn't know. Oh, now and then she sensed a shiver of desire slipping between them, but no more than any healthy straight man for a pretty girl, and always with a more pressing need overlying it. He wanted what she and her flesh could do with her gift far more than he wanted what else she could do, and part of her was grateful for it, at first.

Then she wasn't. It was the faintest flicker of disappointment that ran through her when he sent her away, done with her and on to something else already that gave her pause. He'd thanked her civilly, been nothing but kind and grateful, but...been nothing but kind and grateful. She told herself it was womanly pique, and went to find Edgar who soothed it with each smile that told her as clear as any touch how devoted he would be to her if she just said the word. But her thoughts lingered back in another trailer, with another man, and she excused herself early, with a kiss to Edgar's cheek and a squeeze of his hand, and curled up on her bed, chin resting on her knees to think about the upset swirling inside her.

She could make him notice her that way, she was certain. The question was--did she want to? Sometimes, it was better just to ache from afar. Love never ended well, from what she'd seen. But somewhere in the night, she made a vague decision to at least try.

You'd think that I'd learn my lesson by now
You'd think that I'd somehow figure out
That if you strike the match
You're bound to feel the flame

You think that I'd learn the cost of love
Paid that price long enough
But still I drive myself right through the pain


Slipping herself into Samuel's confidence wasn't a hard thing to do. She listened to him, understood him. Her gift was good for that, and she knew how to give people what they needed. He needed someone who believed in him, and she became that, even before Joseph died. After...after it seemed too late. Questions rose, and her heart started to tear a little as she felt Samuel's desire for power growing. His words and what she felt from him were in discord, and that hurt, twisting around inside of her.

Amanda drove another nail in, piercing something inside of her and throwing a mother's love up against a woman's. Nothing she had said or done seemed to pull Samuel's focus any deeper into her, and now it was growing farther out, so far he was acting against her. She could ask Edgar for something, and he would do it, but even begging Samuel, he wouldn't heed her, and there was nowhere she could put that pain, that doubt.

The sketch of the woman was a crushing blow. All he had shared with her, everything she thought she knew about him, as intimate as she believed them to be, even without the final intimacy, and he'd kept this hidden from her. No wonder he'd never wanted her, never loved her. His heart wasn't even free to want, and all of this, all he'd wanted from her was to let him have someone else.

Even knowing that, even knowing what he'd done, knowing he was planning nothing good, seeing the woman brought into their home, offered the place she'd wanted--and turning it down--even going to Sylar, rage twisting up and over the love in her heart, part of her wanting Samuel dead for all the pain he'd caused...

Even then, when he begged her to trust him, she wanted to, more than anything. Fool that she was, she still wanted to believe in him, believe that there was a chance, believe he'd see the error of his ways, come around.

She kept hoping right until he gave her what she'd craved for so long, lips pressing against hers as she struggled for breath, and ripped her world apart for the final time.

Yeah, well it turns out, I haven't learned a thing

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Lydia

June 2020

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